How to find the port cut into the life of five, the desire is synonymous with the goals and ideals

 How to find the port cut into the living
(connected to the text)
V. desire is synonymous with the goals and ideals
classics produced fear, did not prevent my thinking, writing and language teacher, and a sense of instability in the heart of the people, has disturbed me. In fact, already aware of their existence in the creation difficult to make up the gap. However, they fear, not to retreat, to try every possible means to overcome the language of the vulgar, close their own stories, so that a precipitate after filtering and a rendering of the emotional, sexual touching, eager to maintain the expression of strong desire to write a psychological deposition of non-sworn not to write those.
1, on the character
is more or less? more and less is relative, for the grand narrative, the need for more intertwined characters, fate, story, experience, personality and bearing, etc., without the participation of many people, not as grand, narrative , relying on a character or characters in simple relationship between a structure can not afford care.
big or small? Jia teacher gave a very good answer, the fate of little small, small emotions of small complaints, a small kink in the of small contradictions, constitute the bottom of life in Taipei. It should be found a pair of eyes, covered a lot of real characters within, as long as the durability of patience slowly to find, will find different from the one in the other months.
good and bad? people can not profiling, writers can have their own likes and dislikes, people who can vent their emotions, but this vent is to follow the objective reality only need to tap the inherent rationality, there is reasonable.'s in distorted in a loss of self in the era of which one is good then, which one is bad? good body hidden meaning of the tragedy, the bad body of comedy hidden meaning, and human drama is, that is, good or bad mix constitute the complexity of human nature, but also constitute the true human nature.
men and women? men and woman pose is a must, not a deliberate, man there is a woman who the story, there is a man woman story. I am biased in favor of women
writing, this is not psychological reasons, but, as life force more women, and, from the women's experience, saw the destruction of human nature warm.
personality: characteristics and poor writing is often a positive, character and language of expression nodes, is a sign of character to stand up, the only sex is the best way to show individuality, action is the difference between fresh face time should be concerned.
Reference : traditional storytelling in the rendering for a lot of people can learn the techniques, although the line drawing, but it is vivid and very clear, a person can write clear, is a basic knowledge of.
2, on the background
background can generally be understood as the following:
political background or historical background, the main task is to find life's characteristics, in that era occurred at a time, language and customs, including the iconic things, etc..
Culture background, the geographical concentration of culture presented in the literature, folk songs, slang, colloquialisms, dialects, festivals, customs, property, things and representation of cultural activities, cultural landmarks, cultural events, cultural workers and cultural experiences, cultural influences. display is a rare Central Plains culture thing, since the convergence of the Central Plains culture, making the sign of distinction is difficult to find, it is necessary to do the homework in detail.
Landscape: The main feature is to show the Central Plains, scenery features, during the day , night, seasonal, seasons, moon and stars, plants, flowers, animals and people has been associated with different occupations in different heritage. landscape is actually the story and characters of all booster, this is not a simple like King, but exposure to people in a simple and honest, otherwise, people will become like a shadow, like rigid mechanical.
3, on the story:
story is the heart of all narrative, all successful works have a reasonable compact core of the story, tell a good story is a test of the ability to control the work. The story of the fate of the interpretation of the character, holding people to go, people to create entanglement in the conflict with one wonderful story, the story and characters are levels wonderful interaction. But the story must focus on all the rationality of a being can have the imagination of magic realism, Jia's works in the pigs, ducks could talk, this is not unexpected. But the absurdity of the story must work load needs, if it does not by absurd, that becomes a ridiculous absurdity. The story is not just a structure needs, taste, even more is the core of character show, not the story of the characters are flat, there the story is full of character.
there are many stories of traditional storytelling, but too many branches, and the storytelling power of social criticism is relatively small, in addition to getting rid of the hero factor sense of justice has merit, but it presents heroism, often illusory false delusions, is an ideal of heroism. This is clearly stylized, the identical.
also stressed the importance of the story is that the novel structure of the story itself is the need for showing the way of life several factors, so natural to speak.
all should follow the needs of life, there is the need, these are natural, coherent, but also intense, rigorous, multi-story countless possible, the same as Mission Impossible character relationship, this is the real living conditions.
story about the meaning of existence is, in fact, a presentation, is the wonderful story of the degree is to carry the story, is typical, there is no feature stories, there is no Structural significance of the story, the story to the story, is the set of traditional storytelling, apparently far removed from modernity and literary.
opening and closing of the story about the magnitude, it was said the sun like a good story penetrate the surface of the water, directly inside. There author said, so that the story has its own face, that are the story's character and strength, which can be understood as the story of the life characteristics, characteristics of a life story, it's expressive more than language.
4, general reading on the language
I look up to the language, because of language differences in the way different writers distinguished.
language spoken dialect expression in addition to other, more Language tension, language personality.
both descriptive language or descriptive language, to be clean and simple and clear. For the lyrical language and philosophy of language, to follow the real life and popular as little as possible, try to have a penetrating, try to have a sense of space, many writers emphasize the arrival of language ability that is able to use the most simple statements, the most accurate expression of feeling, which is the author's order.
5, the structure on the structure of the innovation has always been
The most important factor writer, the story of the clues, the characters
relationship, the theme of the show, you need to run through the structure, so in both open at the same time, both bearing and three-dimensional, all structures must comply with the expression of need to be strong and full, robust.
6, on the life experience of all the stories and characters
must be defensible in life, there is a presence-based, fabricated out of thin air the story and characters are pale. To make the story and characters to life, existence, must return to life, back to folk, to return to nature, back to the heart of the call, including the accumulation of emotions, including historical facts. the so-called emotion, is shaping the character of their own cherished a deep affection, love and hatred must be a temperature. historical facts is that all of the stories and characters are inseparable from one soil, and water and soil in the gloomy side of things is the most massive like a combustion of underground coal.
7,
many writers on the childhood experiences are actually experienced in childhood, completed under the guidance of his own narrative. childhood experience of emotional tone sometimes works, sometimes narrative point of view works, sometimes directly involved in the story, no matter what the face of childhood experiences, we must allow a recognition of this childhood experience.
8, on the ; just called, is an objective, but will be better.